Achieving into the depths of the collective subconscious, A experience of Apocalypse explores and re-interprets one of many West’s primordial fears, specifically that of the apocalyptic closure of either cultural praxis and person event. but, unlike well known connotations of the time period, apocalypse is considered right here when it comes to a transitional narrative finding the topic on the intersection of technological determinism, pop-cultural mind's eye, postmodern urbanism and electronic textuality. these types of shape the elements of a brand new post-apocalyptic panorama, which not just produces a brand new id trained through dissolving post-Enlightenment paradigms, but in addition inspires tricks at a great number of existential percentages caused via late-capitalist applied sciences and their cultural results.
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Extra resources for A Sense of Apocalypse: Technology, Textuality, Identity (Literary and Cultural Theory)
American post-war SF and horror video clips illustrate those matters rather well. The Thing from Another global (1951), The Day the Earth Stood nonetheless (1951), The War of the Worlds (1953), Invaders from Mars (1953), and The Invasion of the Body Snatchers (1956) are only a few of a great quantity of films which mix the emerging hesitant angle in the direction of know-how with the fear of the bomb, exacerbated by the political uncertainties of the Cold struggle period. In all these motion pictures the political and ideological different, even though metaphorically represented by an outer-space invader, continues to be a clear image of technology-based destruction as well as of “the communist probability which lurked underneath the complacent floor of post-war the United States. ” 4 In protecting with the less fascinating side-effects of technological improvement of the post-WWII global, the fear of the alien bomb progressively advanced into the fear of a domestic explosion happening as a result of human carelessness or a computer malfunction (Dr. Strangelove (1964), The China Syndrome (1979), WarGames (1983), The Day After (1983)). This difficulty, in turn, was once to be later changed by dreadful visions of unsupervised improvement of computer and military applied sciences. The ultimate explosion developed into the ultimate techno-growth ensuing in far-reaching obsolescence of the human issue. The next step, as such movies as The Net (1995), the Terminator sequence (1984, 1991, 2003, 2009) and The Matrix (1999, 2003) tell us, is the techno-system’s urge to eliminate the human aspect as soon as and for all. As Agent Smith, one of the characters in The Matrix (in fact a computer application in human cover) places it: “[h]uman beings are a disease, a cancer of this planet. you're a plague. And we are… the cure. ” 5 Such ambiguous attitudes in the direction of the future might not be left unattended in terms of popular illustration. The twisted common sense of late capitalism has discovered at least one way of suppressing the idea of apocalypse, one that in the long run questions all purposes of human earthly activities. Like many different important techniques, apocalypse, too, has been ef3. This relatively enigmatic acronym stands for the year 2000, Y evidently representing “year” and K referring to “kilo” which shows 1000. A few months earlier than the end of the last century the Y2K syndrome got here to embody all the millennial fears of a world-wide breakdown of both foreign and domestic laptop networks ensuing from the systems’ lack of ability to interpret the new date 2000 adequately and taking it for 1900 in its place, which might as a result lead to major losses of banking info, overall paralysis of air site visitors, and so on. four. David Parkinson, “The Day the Earth Stood Still,” in The Ten Definitive technology Fiction movies of All Time, Empire, 1997. five. Andy Wachowski, Larry Wachowski, The Matrix, Groucho II movie Partnership/Silver images/ Village Roadshow photographs, united states, 1999. From Pre-Apocalyptic Tropes to Post-Apocalyptic Metaphors 21 fectively become a mass tradition commodity, changing into yet another merchandise in the intellectual flea industry of catchy notions.