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This learn is a re-examination of the influence of Christian artwork and structure on synagogues in past due vintage Palestine, focussing on beneficial properties universal to either church buildings and synagogues. Why did radical alterations look in Jewish paintings and structure in the course of a interval of pageant with Christians?

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All rights reserved. No a part of this booklet should be reproduced, translated, kept in a retrieval procedure, or transmitted in any shape or whatsoever, digital, mechanical, photocopying, recording or in a different way, with out previous written permission from the writer. Authorization to photocopy goods for inner or own use is granted by means of Brill only if the ideal charges are paid on to The Copyright Clearance middle, 222 Rosewood force, Suite 910 Danvers, MA 01923, united states. charges are topic to alter. revealed within the netherlands contents v In memoriam Stuart Earl Milson milson_AJEC65_1. indd v 10/17/2006 3:46:07 PM vi milson_AJEC65_1. indd vi contents 10/17/2006 3:46:09 PM contents vii desk OF CONTENTS checklist of Figures . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . checklist of Maps. . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Acknowledgement . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . Abbreviations of Often-Used resources. . . . . . . . . . . . . . . . . . . . . . xiii xxii xxiii xxiv creation . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1 bankruptcy One Evolution and old synagogues . . . . . . . . . . . . . . . . . . . . . . . . 1. 1. Re-assessing earlier scholarship . . . . . . . . . . . . . . . . . . . . . . . . 1. 2. ‘Normative Judaism’ and the forbidden photograph . . . . . . . . . . 1. three. Synagogue scholarship within the early 19th century . . . 1. four. Beginnings of the evolutionary conception of synagogue plans 1. four. 1. ‘Galilean’ synagogues—the ‘early’ style . . . . . . . . . 1. four. 2. Synagogues with apses—the ‘late’ kind . . . . . . . . . 1. four. three. Broadhouse synagogues—the ‘transitional’ style . . . 1. four. four. How the speculation has effected synagogue stories . . . 1. five. Galilean regionalism . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 1. 6. contemporary guides . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 18 18 19 20 22 23 24 26 28 29 30 bankruptcy Excavated synagogues courting to the Byzantine interval . . . . . . . . advent: facts for id and relationship of old synagogues . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2. 1. Archaeological facts for unequivocal synagogues by way of century . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2. 1. 1. Dated to the Fourth Century . . . . . . . . . . . . . . . . . 2. 1. 2. Dated to the 5th Century . . . . . . . . . . . . . . . . . . . 2. 1. three. Dated to the 6th Century . . . . . . . . . . . . . . . . . . . 2. 2. Archaeological facts for undated synagogues or these having equivocal development chronologies. . . . . . . . . . . . . . . . 2. 2. 1. #En Gedi—Southern Hebron Hills, Palaestina Prima . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . . 2. 2. 2. Susiya—Southern Hebron Hills, Palaestina Prima . . . . . . . . . . . . . . . . . . . . . . . . . . . milson_AJEC65_1. indd vii 33 33 34 34 forty 50 fifty five fifty five fifty six 10/17/2006 3:46:09 PM viii contents 2. 2. three. Beth She’arim, “Synagogue I and II”—Lower Galilee, Palaestina Secunda . . . . . . . . . . . . . . . . . . 2. 2. four. Ma’oz Hayyim, “Building A”—Beth She’an Valley, Palaestina Secunda . . . . . . . . . . . . . . . . . . . . . . . . . 2. 2. five. Ma’oz Hayyim, “Building B”—Beth She’an Valley, Palaestina Secunda . . . . . . . . . . . . . . . . . . . . . . . . . 2. 2. 6. Ma’oz Hayyim, “Building C”—Beth She’an Valley, Palaestina Secunda . . . . . . . . . . . . . . . . . . . . . . . . . 2. 2. 7. Rehob, “Phase 3”—Beth She’an Valley, Palaestina Secunda . . . . . . . . . . . . . . . . . . . . . . .

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