By Richard C. Hoagland, Mike Bara
For so much american citizens, the note NASA indicates a squeaky-clean photograph of technological infallibility.
Yet in point of fact that NASA was once born in a lie, and has hid the truths approximately its occult origins. Dark Mission records this doubtless wild assertion.
Why is the Bush management rationale on returning to the moon as fast as attainable? What are the explanations for the present “space race” with China, Russia, and India? impressive photos reproduced inside of this ebook supplied to writer Richard C. Hoagland via disaffected NASA staff supply clues why, together with information regarding suppressed lunar discoveries.
Mystical companies quietly dominate NASA, undertaking their very own mystery agendas backstage. this is often the tale of fellows on the very fringes of rational proposal and standard knowledge, working on the maximum degrees of our state. Their rules are way more aligned with historical religions and mystery secret faculties than the facade of rational technology NASA has effectively promoted to the realm for nearly fifty years.
Dark Mission is evidence of the key heritage of the nationwide Aeronautics and house management and the unbelievable, seminal discoveries it has again and again suppressed for decades.
Richard C. Hoagland is the previous technological know-how consultant to CBS News, writer of The Monuments of Mars, and a common visitor at the renowned radio courses Coast To Coast and The paintings Bell Show.
Mike Bara is a consulting engineer for Boeing plane. this is often his first book.
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Additional info for Dark Mission: The Secret History of NASA
The readily-apparent shadow was once accurately in line with the neighborhood geography on which “the Shard” was once sitting (an historical lunar ridge). furthermore, the shadow was once additionally in step with the time of the month, the Lunar Orbiter digital camera perspective, and the particular sun-angle illuminating this item while the picture used to be at the beginning received: mid-February 1967. It used to be this shadow—more than the other unmarried element of this object—which, within the eyes of many observers, solidified the Shard’s truth as a very anomalous, possibly synthetic lunar constitution. The sheer top and form of this object—a tough spire, over a mile and a part tall—also argued forcefully for an beginning way more fresh than the tremendous old, rounded and eroded lunar panorama that surrounds it. situated at the southwest perimeter of Sinus Medii, throughout a wide old crater referred to as Flammarion, the Shard has in some way controlled to defy the legislation of entropy that experience blasted these atmosphere, in accordance with geochemical and isotope age info lower back by means of the Apollo missions, for eons. This “incessant meteoric rain,” within the absence of “recent” geologic job, must have decreased this item to rubble indistinguishable from its atmosphere billions of years ago—but there it defiantly, inexplicably, nonetheless stood. there have been different, the most important clues that the Shard was once, in reality, a true object—still status upright opposed to gravity at the lunar floor. One was once its alignment with the neighborhood vertical instead of with the “grain” of the Lunar Orbiter movie; the second one, used to be a hugely geometric inner “organization” [Fig. 4-6]. This notable pattern—which strongly supported the preliminary impact of “artificiality”—was composed of a repeating, complicated, inner crystalline geometry, noticeable all in the course of the item; extra Hoagland desktop improvements of extra enlarged prints, additionally made up of NSSDC negatives of III-84M, printed this wonderful, inner development was once made of hugely reflective, cubical—possibly hexagonal—geometric “compartments,” tremendously broken yet nonetheless seen and overwhelmingly redundant. solution estimates, in line with the Lunar Orbiter acquisition geometry, indicated the “cell measurement” of this geometry to be at the least a number of occasions the answer of the imaging improvements (approximately seventy meters). moreover, this nonetheless- noticeable geometric development additionally used to be now not orthogonally managed (as if imposed as a side of the rectilinear trend of desktop pixels within the computing device scanner, or at the reveal screen), yet looked to be decided by means of an internally constant, intrinsic, architectural development contained in the item itself. ultimately, a chain of good vertical traces seemed to overlay this miraculous structure—with bits and items of brighter fabric nonetheless suspended on those vertical “lines” off the most apex of “the Shard”—as if on a separate, inflexible matrix fullyyt surrounding this hugely unique lunar constitution. the general influence one used to be left with used to be that of a once-much-larger, advanced, glass-like, synthetic object—now tremendous eroded through eons of meteorite impression methods.