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Additional resources for Reclaiming Late-Romantic Music: Singing Devils and Distant Sounds (Ernest Bloch Lectures)
Bankruptcy 2 1. Henry Pleasants, trans. and ed. , The Musical global of Robert Schumann: a variety from His personal Writings (London: Gollancz, 1965), 32. 2. For a desirable instance (concerning an 1829 ballet-version of Beethoven’s 6th Symphony), see J. Q. Davies, “Dancing the Symphonic Beethoven-Bochsa’s Symphonie Pastorale, 1829,” 19th-Century song 27, no. 1 (2003): 25–47. three. extra on Richard Strauss’s place in this topic later within the bankruptcy and in notice 27 less than. four. This used to be the said goal of the short-lived (1904–5) Viennese Vereinigung Schaffender Tonkünstler; for a quick account, see Peter Franklin: The lifetime of Mahler (Cambridge: Cambridge college Press, 1997), 150–54. five. Arnold Schoenberg, Letters, ed. Erwin Stein, trans. Eithne Wilkins and Ernst Kaiser (London, Faber & Faber, 1964), 243 (in a 1947 letter to Hans Rosbaud). 6. Leonid Sabaneyeff, smooth Russian Composers (London: Martin Lawrence, n. d. [1927? ]), 18. 7. Christopher Redwood, ed. , A Delius spouse, rev. ed. (London: Calder, 1980), 37 (from Delius’s 1920 article within the Sackbut, “The current Cult—Charlatanism and Humbug in Music”). eight. Paul Bekker, Beethoven (Berlin and Leipzig: Schuster & Loeffler, 1911). nine. the easiest resource of knowledge in this could be the catalog of the 1988 reconstruction in Düsseldorff of the 1938 exhibition: Albrecht Dümling and Peter Girth, Entartete Musik. Eine kommentierte Rekonstruktion zur Düsseldorfer Ausstellung von 1938 (Düsseldorf: Landeshauptstadt Düsseldorf & Düsseldorfer Symphoniker, 1988) 10. See Hans Pfitzner, Futuristengefahr. Bei Gelegenheit von Busoni’s Ästhetik (Leipzig-Munich: Süddeutsche Monatshefte, 1917); and Die neue Aesthetik der musikalischen Impotenz. Ein Verwesungssymptom? (Munich: Verlag der Süddeutsche Monatshefte, 1920; Alban Berg’s reaction to the latter, initially released in Musikblätter des Anbruch (Vienna, moment 12 months, no. 11–12, June 1920, was once translated as “The Musical Impotence of Hans Pfitner’s ‘New Aesthetic’ ” in Willi Reich, Alban Berg, trans. Cornelius Cardew (New York: Vienna residence, 1974 [orig. London, 1965]), 205–18. eleven. Thomas Mann, Betrachtungen eines Unpolitischen (Berlin: S. Fischer, 1918), English translation as Reflections of a Nonpolitical guy, trans. Walter D. Morris (New York: Frederick Ungar Publishing, 1983. 12. See Christopher Small, “Performance as Ritual: caricature for an Enquiry into the real Nature of a Symphony Concert,” in misplaced in track: tradition, kind and the Musical occasion, ed. Avron Levine White (London and ny: Routledge & Kegan Paul, 1987), 6–32, therefore elaborated as Christopher Small, Musicking: The Meanings of acting and Listening (Hanover and London: Wesleyan college Press, 1998); and William Weber, tune and the center classification: The Social constitution of live performance existence in London, Paris and Vienna (London: Croom Helm, 1975; second ed. , Ashgate, 2003). thirteen. Eduard Hanslick, at the Musically appealing, trans. Geoffrey Payzant (Indianapolis: Hackett, 1986), 29. 14. Simon Frith, appearing Rites: at the price of well known track (Cambridge, MA: Harvard collage Press, 1998), 141.