By Rick Thompson
'This is an excellent booklet which mixes the infrequent mix of top of the range info with humour. the fashion of writing engages the reader from the advent and the event and perception of the writer sometimes makes it tricky to place down, a unprecedented characteristic of a textbook. i might unreservedly suggest this booklet not just to these learning journalism yet to scholars of language and all who use the spoken and written observe because the ‘materials’ in their work.' Barry Turner, Nottingham Trent University
'Rick Thompson's assistance handbook is jam-packed with recommendation to would-be writers for this medium. he is anyone with years of expertise on the best point of the nationwide and overseas occupation, and he is smack modern along with his references. The ebook is geared toward reporters, yet a person with a significant curiosity in constructing their literacy will examine much approximately specialist writing talents from what he has to say.' Roy Johnson, www.mantex.co.uk
Writing for Broadcast Journalists courses readers during the major variations among the written and the spoken types of journalistic English. it is going to support broadcast reporters at each degree in their careers to prevent such pitfalls because the use of newspaper-English, universal linguistic blunders, and Americanised words, and offers functional suggestion on exact terminology and pronunciation, whereas encouraging writers to trap the immediacy of the spoken observe of their scripts.
Writing for Broadcast Journalists includes:
- practical how you can keep away from ‘journalese’, clichés and jargon
- guidance on tailoring your writing sort to fit a selected audience
- advice on changing corporation replica into spoken English
- writing to tv images
- examples of scripts from the superior within the business
- an appendix of ‘dangerous’ phrases and words to be shunned in scripts.
Read or Download Writing for Broadcast Journalists (Media Skills) PDF
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Extra resources for Writing for Broadcast Journalists (Media Skills)
For instance, a whole package deal at the wind farm enquiry could contain the whooshing noise of a wind turbine with a few description from the reporter, the sound of waves at the shore because the reporter describes the proposed wind farm as a way to be seen from a vacation seashore, interview clips with spokespeople from Greenpeace and the CPRE, vox-pops with humans residing close to present windmills, and maybe the babble of the enquiry room because the package deal concludes with a glance forward to the arguments prone to be heard within the coming days. i think that radio programs are usually not finish with a clip of interview. This actually supplies one contributor the ultimate, and the ultimate may be disproportionately influential. now not all radio newshounds accept as true with me approximately this; Radio Four’s this present day programme went via a interval of a number of years whilst the programme type used to be to finish programs with a telling clip of interview. so much manufacturers imagine that the reporter should still ‘wrap’ the tale and finish the package deal together with his or her personal voice. A pay-off instantly after an interview clip isn't really sufficient (for instance … finish of interview clip … ‘Joan Bloggs, self sustaining Radio information, Nottingham’). The file sounds incomplete; in impression, it nonetheless supplies the interviewee the final word, and it may possibly sound as if the interview clip got here from Joan Bloggs. Writers of radio information are likely to search for possibilities to exploit the current annoying, since it sounds fast and is kind of succinct. So ‘Elton John is suing his former supervisor …’ is most well-liked to ‘Elton John has introduced that he’ll sue …’; ‘Interest premiums are up 1 / 4 according to cent …’ instead of ‘The financial institution of britain has raised rates of interest …’. the current annoying can be used on situation for descriptions of occasions, however it can be used very rigorously, and simply while there's enough drama for this particularly dramatic type to appear acceptable. for instance: Mortars slam into the villa. Helicopter gun-ships strafe the location, and aces are crossed off America’s pack-of-cards most-wanted checklist. ’ (Independent Radio information, July 2003). listed here are a number of phrases of recommendation approximately writing situation studies for radio information from skilled execs interviewed for this e-book. Richard Sambrook, former Director of BBC information: In radio you'll want to paint an image with the phrases. humans may have a picture of their head as they take heed to it. With tv, in fact, they've got the picture in entrance of them. Clare Morrow, former Controller of Programmes YTV and for numerous years a radio correspondent: On radio you could have to create the scene. when you are attempting to paint an image of what an explosion or a hearth used to be like, humans must be capable of ‘see’ that the flames reached the pinnacle of the development. In radio you try to create the image. In tv you are attempting to think about phrases that supply complementary details to the photographs. Karen Coleman, former BBC radio correspondent and overseas Affairs Editor at Newstalk 106 in eire: Radio calls for an clever knowing of the tale and specific care with phrases.